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The Oxford Handbook of Shakespeare and Dance

Shakespeare's texts have a long and close relationship with many different types of dance, from dance forms referenced in the plays to adaptations across many genres today. With contributions from experienced and emerging scholars, this handbook provides a concise reference on dance as both an integral feature of sixteenth- and seventeenth-century culture and as a means of translating Shakespearean text into movement - a process that raises questions of authorship and authority, cross-cultural communication, semantics, embodiment, and the relationship between word and image. Motivated by growing interest in movement, materiality, and the body, The Oxford Handbook of Shakespeare and Dance is the first collection to examine the relationship between William Shakespeare - his life, works, and afterlife - and dance. In the handbook's first section - Shakespeare and Dance - authors consider dance within the context of early modern life and culture and investigate Shakespeare's use of dance forms within his writing. The latter half of the handbook - Shakespeare as Dance - explores the ways that choreographers have adapted Shakespeare's work. Chapters address everything from narrative ballet adaptations to dance in musicals, physical theater adaptations, and interpretations using non-Western dance forms such as Cambodian traditional dance or igal, an indigenous dance form from the southern Philippines. With a truly interdisciplinary approach, The Oxford Handbook of Shakespeare and Dance provides an indispensable resource for considerations of dance and corporeality on Shakespeare's stage and the early modern era.

Autor: Lynsey McCulloch
Editora: Oxford University Press
Ano de Lançamento: 2019-01-28
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Dance, Spectacle, and the Body Politick, 1250-1750

An engaging overview of dance from the Medieval era through the Baroque

Autor: Jennifer Nevile
Editora: Indiana University Press
Ano de Lançamento: 2008
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Dance Imagery for Technique and Performance

Renowned master teacher Eric Franklin has thoroughly updated his classic text, Dance Imagery for Technique and Performance, providing dancers and dance educators with a deep understanding of how they can use imagery to improve their dancing and artistic expression in class and in performance. These features are new to this edition: •Two chapters include background, history, theory, and uses of imagery. •294 exercises offer dancers and dance educators greater opportunities to experience how imagery can enhance technique and performance. •133 illustrations facilitate the use of imagery to improve technique, artistic expression, and performance. •Four exercises taught by Franklin and available on HK’s website help dancers with essential rest and relaxation techniques. Franklin provides hundreds of imagery exercises to refine improvisation, technique, and choreography. The 295 illustrations cover the major topics in the book, showing exercises to use in technique, artistic expression, and performance. In addition, Franklin supplies imagery exercises that can restore and regenerate the body through massage, touch, and stretching. And he offers guidance in using imagery to convey information about a dancer’s steps and to clarify the intent and content of movement. This new edition of Dance Imagery for Technique and Performance can be used with Franklin’s Dynamic Alignment Through Imagery, Second Edition, or on its own. Either way, readers will learn how to combine technical expertise with imagery skills to enrich their performance, and they will discover methods they can use to explore how imagery connects with dance improvisation and technique. Dance Imagery for Technique and Performance uses improvisation exercises to help readers investigate new inner landscapes to create and communicate various movement qualities, provides guidelines for applying imagery in the dance class, and helps dancers expand their repertoire of expressiveness in technique and performance across ballet, modern, and contemporary dance. This expanded edition of Dance Imagery for Technique and Performance supplies imagery tools for enhancing or preparing for performance, and it introduces the importance of imagery in dancing and teaching dance. Franklin’s method of using imagery in dance is displayed throughout this lavishly illustrated book, and the research from scientific and dance literature that supports Franklin’s method is detailed. The text, exercises, and illustrations make this book a practical resource for dancers and dance educators alike.

Autor: Eric N. Franklin
Editora: Human Kinetics
Ano de Lançamento: 2013-09-30
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Discursos Sobre El Arte Del Dançado

The Art of Dancing in Seventeenth-Century Spain includes a transcription of the Spanish text, a translation of that text into English, and extensive commentary that contextualizes the dancing in light of European, particularly Spanish, dance, society, culture, and history."--BOOK JACKET.

Autor: Lynn Matluck Brooks
Editora: Bucknell University Press
Ano de Lançamento: 2003
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Flamenco on the Global Stage

The language of the body is central to the study of flamenco. From the records of the Inquisition, to 16th century literature, to European travel diaries, the Spanish dancer beguiles and fascinates. The word flamenco evokes the image of a sensuous and rebellious woman—the bailaora —whose movements seduce the audience, only to reject their attention with a stomp of defiance. The dancer’s body is an agent of ideological resistance, conveying a conflicting desire for subjectivity and autonomy and implying deeply held ideas about history, national identity, femininity and masculinity. This collection of new essays provides an overview of flamenco scholarship, illuminating flamenco’s narrative and chronology and addressing some common misconceptions. The contributors offer fresh perspectives on age-old themes and suggest new paradigms for flamenco as a cultural practice. Instructors considering this book for use in a course may request an examination copy here.

Autor: K. Meira Goldberg,
Editora: McFarland
Ano de Lançamento: 2015-10-05
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Dance Movement Therapy

This updated edition brings together contributions covering subjects such as: dance movement therapy with people with dementia or mental health problems; transcultural competence in therapy; Freudian thought applied to movement; embodiment in training and practice and personal development through dance movement therapy.

Autor: Helen Payne
Editora: Routledge
Ano de Lançamento: 2006
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Proceedings Society of Dance History Scholars

Press, 1986): several dances have less vigorous variations for the woman;
likewise: Cesare Negri, Le gratie d'amore (Milan, 1602). ... Vercepe was
described by Domenico's pupil Antonio Cornazano in his Libro dell'arte del
danzare as “quasi simile ad ... A Study of the Florentine Catasto of 1427 (New
Haven: Yale Univ.

Autor: Society of Dance History Scholars (U.S.). Conference
Ano de Lançamento: 1993
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The ... Musicians Guide to Touring & Promotion

... stores in grostor Malcolm's Jazz and Dance Club 71 Whitney Ave New Haven,
CT 06511 203-772-4773 Fax: 203-772-4773 ... Tune In 29 Center St New Haven,
CT 06506 203-772-4310 Contact: Fernando Pinto 203-497-9831 Capacity: 500
... Arnott - Reviews Frequency: Weekly Format: Newspaper Goldie & Libro Music
Center, Inc. 756 Chapel St New Haven, CT ... Callahan Capacity: 60 House
Equipment: None Hosts hardcore, punk, heavy artemative shows 3- 4 nights per
week.

Ano de Lançamento: 1996
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Dances of the Self in Heinrich Von Kleist, E. T. A. Hoffman and Heinrich Heine

Dances of the Self in Heinrich von Kleist, E. T. A. Hoffmann and Heinrich Heine brings to light little-known German resources on dance by juxtaposing cultural history with aesthetic theory and close readings of literary works. Joining performance studies with psychoanalytical theory, Lucia Ruprecht addresses dance as a performative exercise which constitutes a decisive force within the formation of subjectivity that is enacted in the literary texts.

Autor: Lucia Ruprecht
Editora: Ashgate Publishing, Ltd.
Ano de Lançamento: 2006
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Dance and Instrumental Diferencias in Spain During the 17th and Early 18th Centuries: History and background, music and dance

As to the two volumes which will complete this set, Volume 2 supplies a complete inventory and transcription of th e extant instrumental dance pieces and variation sets (495 pieces plus 228 pasacalles), and Volume 3 will contain the ...

Autor: Maurice Esses
Editora: Pendragon Press
Ano de Lançamento: 1992

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